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Daylin Short Stories

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This essay will include two short stories. Use one page and half for one story and one page and half for the other story.
Story One: An Occurrence at Owl Creek Bridge by Ambrose Bierce
Directly and completely answer the following questions. Include specific examples from the story in your answer, and if you use secondary sources, be sure to include the correct documentation.
1. In what ways are the condemned man’s perceptions of time and motion distorted as he is waiting to be hanged? (25%)
2. What is ironic about the fact that Farquhar agrees with the saying that, “all is fair in love and war?” (25%)
3. What details in Part III suggest that Farquhar’s journey occurs in his mind? (25%)
4. Point of view refers to the vantage point from which the story is told. Why is the limited third-person point of view appropriate for this story? How might the story be different if Bierce had used an omniscient third-person narrator? (25%)
Story Two: Blue Winds Dancing by Tom Whitecloud
Directly and completely answer the following questions. Include specific examples from the story in your answer, and if you use secondary sources, be sure to include the correct documentation.
1. What do you learn in the first section of the story about the conflict in the attitudes of the narrator? What is his attitude toward civilization? If he is the protagonist, who or what is the antagonist? (34%)

2. What does the narrator mean by saying, “I am alone; alone but not nearly so lonely as I was back on campus at school?” (33%)

3. What do you think is meant by the blue winds dancing – what kind of wisdom? (33%)

An Occurrence at Owl Creek Bridge
by Ambrose Bierce
A man stood upon a railroad bridge in northern Alabama, looking down into the swift water twenty feet below. The man’s hands were behind his back, the wrists bound with a cord. A rope closely encircled his neck. It was attached to a stout cross-timber above his head and the slack feel to the level of his knees. Some loose boards laid upon the ties supporting the rails of the railway supplied a footing for him and his executioners — two private soldiers of the Federal army, directed by a sergeant who in civil life may have been a deputy sheriff. At a short remove upon the same temporary platform was an officer in the uniform of his rank, armed. He was a captain. A sentinel at each end of the bridge stood with his rifle in the position known as “support,” that is to say, vertical in front of the left shoulder, the hammer resting on the forearm thrown straight across the chest — a formal and unnatural position, enforcing an erect carriage of the body. It did not appear to be the duty of these two men to know what was occurring at the center of the bridge; they merely blockaded the two ends of the foot planking that traversed it.
Beyond one of the sentinels nobody was in sight; the railroad ran straight away into a forest for a hundred yards, then, curving, was lost to view. Doubtless there was an outpost farther along. The other bank of the stream was open ground — a gentle slope topped with a stockade of vertical tree trunks, loopholed for rifles, with a single embrasure through which protruded the muzzle of a brass cannon commanding the bridge. Midway up the slope between the bridge and fort were the spectators — a single company of infantry in line, at “parade rest,” the butts of their rifles on the ground, the barrels inclining slightly backward against the right shoulder, the hands crossed upon the stock. A lieutenant stood at the right of the line, the point of his sword upon the ground, his left hand resting upon his right. Excepting the group of four at the center of the bridge, not a man moved. The company faced the bridge, staring stonily, motionless. The sentinels, facing the banks of the stream, might have been statues to adorn the bridge. The captain stood with folded arms, silent, observing the work of his subordinates, but making no sign. Death is a dignitary who when he comes announced is to be received with formal manifestations of respect, even by those most familiar with him. In the code of military etiquette silence and fixity are forms of deference.
The man who was engaged in being hanged was apparently about thirty-five years of age. He was a civilian, if one might judge from his habit, which was that of a planter. His features were good — a straight nose, firm mouth, broad forehead, from which his long, dark hair was combed straight back, falling behind his ears to the collar of his well fitting frock coat. He wore a moustache and pointed beard, but no whiskers; his eyes were large and dark gray, and had a kindly expression which one would hardly have expected in one whose neck was in the hemp. Evidently this was no vulgar assassin. The liberal military code makes provision for hanging many kinds of persons, and gentlemen are not excluded.
The preparations being complete, the two private soldiers stepped aside and each drew away the plank upon which he had been standing. The sergeant turned to the captain, saluted and placed himself immediately behind that officer, who in turn moved apart one pace. These movements left the condemned man and the sergeant standing on the two ends of the same plank, which spanned three of the cross-ties of the bridge. The end upon which the civilian stood almost, but not quite, reached a fourth. This plank had been held in place by the weight of the captain; it was now held by that of the sergeant. At a signal from the former the latter would step aside, the plank would tilt and the condemned man go down between two ties. The arrangement commended itself to his judgement as simple and effective. His face had not been covered nor his eyes bandaged. He looked a moment at his “unsteadfast footing,” then let his gaze wander to the swirling water of the stream racing madly beneath his feet. A piece of dancing driftwood caught his attention and his eyes followed it down the current. How slowly it appeared to move! What a sluggish stream!
He closed his eyes in order to fix his last thoughts upon his wife and children. The water, touched to gold by the early sun, the brooding mists under the banks at some distance down the stream, the fort, the soldiers, the piece of drift — all had distracted him. And now he became conscious of a new disturbance. Striking through the thought of his dear ones was sound which he could neither ignore nor understand, a sharp, distinct, metallic percussion like the stroke of a blacksmith’s hammer upon the anvil; it had the same ringing quality. He wondered what it was, and whether immeasurably distant or near by — it seemed both. Its recurrence was regular, but as slow as the tolling of a death knell. He awaited each new stroke with impatience and — he knew not why — apprehension. The intervals of silence grew progressively longer; the delays became maddening. With their greater infrequency the sounds increased in strength and sharpness. They hurt his ear like the trust of a knife; he feared he would shriek. What he heard was the ticking of his watch.
He unclosed his eyes and saw again the water below him. “If I could free my hands,” he thought, “I might throw off the noose and spring into the stream. By diving I could evade the bullets and, swimming vigorously, reach the bank, take to the woods and get away home. My home, thank God, is as yet outside their lines; my wife and little ones are still beyond the invader’s farthest advance.”
As these thoughts, which have here to be set down in words, were flashed into the doomed man’s brain rather than evolved from it the captain nodded to the sergeant. The sergeant stepped aside.
Part II
Peyton Fahrquhar was a well to do planter, of an old and highly respected Alabama family. Being a slave owner and like other slave owners a politician, he was naturally an original secessionist and ardently devoted to the Southern cause. Circumstances of an imperious nature, which it is unnecessary to relate here, had prevented him from taking service with that gallant army which had fought the disastrous campaigns ending with the fall of Corinth, and he chafed under the inglorious restraint, longing for the release of his energies, the larger life of the soldier, the opportunity for distinction. That opportunity, he felt, would come, as it comes to all in wartime. Meanwhile he did what he could. No service was too humble for him to perform in the aid of the South, no adventure to perilous for him to undertake if consistent with the character of a civilian who was at heart a soldier, and who in good faith and without too much qualification assented to at least a part of the frankly villainous dictum that all is fair in love and war.
One evening while Fahrquhar and his wife were sitting on a rustic bench near the entrance to his grounds, a gray-clad soldier rode up to the gate and asked for a drink of water. Mrs. Fahrquhar was only too happy to serve him with her own white hands. While she was fetching the water her husband approached the dusty horseman and inquired eagerly for news from the front.
“The Yanks are repairing the railroads,” said the man, “and are getting ready for another advance. They have reached the Owl Creek bridge, put it in order and built a stockade on the north bank. The commandant has issued an order, which is posted everywhere, declaring that any civilian caught interfering with the railroad, its bridges, tunnels, or trains will be summarily hanged. I saw the order.”
“How far is it to the Owl Creek bridge?” Fahrquhar asked.
“About thirty miles.”
“Is there no force on this side of the creek?”
“Only a picket post half a mile out, on the railroad, and a single sentinel at this end of the bridge.”
“Suppose a man — a civilian and student of hanging — should elude the picket post and perhaps get the better of the sentinel,” said Fahrquhar, smiling, “what could he accomplish?”
The soldier reflected. “I was there a month ago,” he replied. “I observed that the flood of last winter had lodged a great quantity of driftwood against the wooden pier at this end of the bridge. It is now dry and would burn like tinder.”
The lady had now brought the water, which the soldier drank. He thanked her ceremoniously, bowed to her husband and rode away. An hour later, after nightfall, he repassed the plantation, going northward in the direction from which he had come. He was a Federal scout.
Part III
As Peyton Fahrquhar fell straight downward through the bridge he lost consciousness and was as one already dead. From this state he was awakened — ages later, it seemed to him — by the pain of a sharp pressure upon his throat, followed by a sense of suffocation. Keen, poignant agonies seemed to shoot from his neck downward through every fiber of his body and limbs. These pains appeared to flash along well defined lines of ramification and to beat with an inconceivably rapid periodicity. They seemed like streams of pulsating fire heating him to an intolerable temperature. As to his head, he was conscious of nothing but a feeling of fullness — of congestion. These sensations were unaccompanied by thought. The intellectual part of his nature was already effaced; he had power only to feel, and feeling was torment. He was conscious of motion. Encompassed in a luminous cloud, of which he was now merely the fiery heart, without material substance, he swung through unthinkable arcs of oscillation, like a vast pendulum. Then all at once, with terrible suddenness, the light about him shot upward with the noise of a loud splash; a frightful roaring was in his ears, and all was cold and dark. The power of thought was restored; he knew that the rope had broken and he had fallen into the stream. There was no additional strangulation; the noose about his neck was already suffocating him and kept the water from his lungs. To die of hanging at the bottom of a river! — the idea seemed to him ludicrous. He opened his eyes in the darkness and saw above him a gleam of light, but how distant, how inaccessible! He was still sinking, for the light became fainter and fainter until it was a mere glimmer. Then it began to grow and brighten, and he knew that he was rising toward the surface — knew it with reluctance, for he was now very comfortable. “To be hanged and drowned,” he thought, “that is not so bad; but I do not wish to be shot. No; I will not be shot; that is not fair.”
He was not conscious of an effort, but a sharp pain in his wrist apprised him that he was trying to free his hands. He gave the struggle his attention, as an idler might observe the feat of a juggler, without interest in the outcome. What splendid effort! — what magnificent, what superhuman strength! Ah, that was a fine endeavor! Bravo! The cord fell away; his arms parted and floated upward, the hands dimly seen on each side in the growing light. He watched them with a new interest as first one and then the other pounced upon the noose at his neck. They tore it away and thrust it fiercely aside, its undulations resembling those of a water snake. “Put it back, put it back!” He thought he shouted these words to his hands, for the undoing of the noose had been succeeded by the direst pang that he had yet experienced. His neck ached horribly; his brain was on fire, his heart, which had been fluttering faintly, gave a great leap, trying to force itself out at his mouth. His whole body was racked and wrenched with an insupportable anguish! But his disobedient hands gave no heed to the command. They beat the water vigorously with quick, downward strokes, forcing him to the surface. He felt his head emerge; his eyes were blinded by the sunlight; his chest expanded convulsively, and with a supreme and crowning agony his lungs engulfed a great draught of air, which instantly he expelled in a shriek!
He was now in full possession of his physical senses. They were, indeed, preternaturally keen and alert. Something in the awful disturbance of his organic system had so exalted and refined them that they made record of things never before perceived. He felt the ripples upon his face and heard their separate sounds as they struck. He looked at the forest on the bank of the stream, saw the individual trees, the leaves and the veining of each leaf — he saw the very insects upon them: the locusts, the brilliant bodied flies, the gray spiders stretching their webs from twig to twig. He noted the prismatic colors in all the dewdrops upon a million blades of grass. The humming of the gnats that danced above the eddies of the stream, the beating of the dragon flies’ wings, the strokes of the water spiders’ legs, like oars which had lifted their boat — all these made audible music. A fish slid along beneath his eyes and he heard the rush of its body parting the water.
He had come to the surface facing down the stream; in a moment the visible world seemed to wheel slowly round, himself the pivotal point, and he saw the bridge, the fort, the soldiers upon the bridge, the captain, the sergeant, the two privates, his executioners. They were in silhouette against the blue sky. They shouted and gesticulated, pointing at him. The captain had drawn his pistol, but did not fire; the others were unarmed. Their movements were grotesque and horrible, their forms gigantic.
Suddenly he heard a sharp report and something struck the water smartly within a few inches of his head, spattering his face with spray. He heard a second report, and saw one of the sentinels with his rifle at his shoulder, a light cloud of blue smoke rising from the muzzle. The man in the water saw the eye of the man on the bridge gazing into his own through the sights of the rifle. He observed that it was a gray eye and remembered having read that gray eyes were keenest, and that all famous marksmen had them. Nevertheless, this one had missed.
A counter-swirl had caught Fahrquhar and turned him half round; he was again looking at the forest on the bank opposite the fort. The sound of a clear, high voice in a monotonous singsong now rang out behind him and came across the water with a distinctness that pierced and subdued all other sounds, even the beating of the ripples in his ears. Although no soldier, he had frequented camps enough to know the dread significance of that deliberate, drawling, aspirated chant; the lieutenant on shore was taking a part in the morning’s work. How coldly and pitilessly — with what an even, calm intonation, presaging, and enforcing tranquility in the men — with what accurately measured interval fell those cruel words:
“Company! . . . Attention! . . . Shoulder arms! . . . Ready! . . . Aim! . . . Fire!”
Fahrquhar dived — dived as deeply as he could. The water roared in his ears like the voice of Niagara, yet he heard the dull thunder of the volley and, rising again toward the surface, met shining bits of metal, singularly flattened, oscillating slowly downward. Some of them touched him on the face and hands, then fell away, continuing their descent. One lodged between his collar and neck; it was uncomfortably warm and he snatched it out.
As he rose to the surface, gasping for breath, he saw that he had been a long time under water; he was perceptibly farther downstream — nearer to safety. The soldiers had almost finished reloading; the metal ramrods flashed all at once in the sunshine as they were drawn from the barrels, turned in the air, and thrust into their sockets. The two sentinels fired again, independently and ineffectually.
The hunted man saw all this over his shoulder; he was now swimming vigorously with the current. His brain was as energetic as his arms and legs; he thought with the rapidity of lightning:
“The officer,” he reasoned, “will not make that martinet’s error a second time. It is as easy to dodge a volley as a single shot. He has probably already given the command to fire at will. God help me, I cannot dodge them all!”
An appalling splash within two yards of him was followed by a loud, rushing sound, DIMINUENDO, which seemed to travel back through the air to the fort and died in an explosion which stirred the very river to its deeps! A rising sheet of water curved over him, fell down upon him, blinded him, strangled him! The cannon had taken an hand in the game. As he shook his head free from the commotion of the smitten water he heard the deflected shot humming through the air ahead, and in an instant it was cracking and smashing the branches in the forest beyond.
“They will not do that again,” he thought; “the next time they will use a charge of grape. I must keep my eye upon the gun; the smoke will apprise me — the report arrives too late; it lags behind the missile. That is a good gun.”
Suddenly he felt himself whirled round and round — spinning like a top. The water, the banks, the forests, the now distant bridge, fort and men, all were commingled and blurred. Objects were represented by their colors only; circular horizontal streaks of color — that was all he saw. He had been caught in a vortex and was being whirled on with a velocity of advance and gyration that made him giddy and sick. In few moments he was flung upon the gravel at the foot of the left bank of the stream — the southern bank — and behind a projecting point which concealed him from his enemies. The sudden arrest of his motion, the abrasion of one of his hands on the gravel, restored him, and he wept with delight. He dug his fingers into the sand, threw it over himself in handfuls and audibly blessed it. It looked like diamonds, rubies, emeralds; he could think of nothing beautiful which it did not resemble. The trees upon the bank were giant garden plants; he noted a definite order in their arrangement, inhaled the fragrance of their blooms. A strange roseate light shone through the spaces among their trunks and the wind made in their branches the music of AEolian harps. He had not wish to perfect his escape — he was content to remain in that enchanting spot until retaken.
A whiz and a rattle of grapeshot among the branches high above his head roused him from his dream. The baffled cannoneer had fired him a random farewell. He sprang to his feet, rushed up the sloping bank, and plunged into the forest.
All that day he traveled, laying his course by the rounding sun. The forest seemed interminable; nowhere did he discover a break in it, not even a woodman’s road. He had not known that he lived in so wild a region. There was something uncanny in the revelation.
By nightfall he was fatigued, footsore, famished. The thought of his wife and children urged him on. At last he found a road which led him in what he knew to be the right direction. It was as wide and straight as a city street, yet it seemed untraveled. No fields bordered it, no dwelling anywhere. Not so much as the barking of a dog suggested human habitation. The black bodies of the trees formed a straight wall on both sides, terminating on the horizon in a point, like a diagram in a lesson in perspective. Overhead, as he looked up through this rift in the wood, shone great golden stars looking unfamiliar and grouped in strange constellations. He was sure they were arranged in some order which had a secret and malign significance. The wood on either side was full of singular noises, among which — once, twice, and again — he distinctly heard whispers in an unknown tongue.
His neck was in pain and lifting his hand to it found it horribly swollen. He knew that it had a circle of black where the rope had bruised it. His eyes felt congested; he could no longer close them. His tongue was swollen with thirst; he relieved its fever by thrusting it forward from between his teeth into the cold air. How softly the turf had carpeted the untraveled avenue — he could no longer feel the roadway beneath his feet!
Doubtless, despite his suffering, he had fallen asleep while walking, for now he sees another scene — perhaps he has merely recovered from a delirium. He stands at the gate of his own home. All is as he left it, and all bright and beautiful in the morning sunshine. He must have traveled the entire night. As he pushes open the gate and passes up the wide white walk, he sees a flutter of female garments; his wife, looking fresh and cool and sweet, steps down from the veranda to meet him. At the bottom of the steps she stands waiting, with a smile of ineffable joy, an attitude of matchless grace and dignity. Ah, how beautiful she is! He springs forwards with extended arms. As he is about to clasp her he feels a stunning blow upon the back of the neck; a blinding white light blazes all about him with a sound like the shock of a cannon — then all is darkness and silence!
Peyton Fahrquhar was dead; his body, with a broken neck, swung gently from side to side beneath the timbers of the Owl Creek bridge.

Blue Winds Dancing (1938) by Tom Whitecloud
There is a moon out tonight. Moon and stars and clouds tipped with moonlight. And there is a fall wind blowing in my heart. Ever since this evening, when against a fading sky I saw geese wedge southward. They were going home…. Now I try to study, but against the pages I see them again, driving southward. Going home.
Across the valley there are heavy mountains holding up the night sky, and beyond the mountains there is home. Home, and peace, and the beat of drums, and blue winds dancing over snow fields. The Indian lodge will fill with my people, and our gods will come and sit among them. I should be there then. I should be at home.
But home is beyond the mountains, and I am here. Here where fall hides in the valleys, and winter never comes down from the mountains. Here where all the trees grow in rows; the palms stand stiffly by the roadsides, and in the groves of the orange trees line in military rows, and endlessly bear fruit. Beautiful, yes; there is always beauty in order, in rows of growing things! But it is the beauty of captivity. A pine fighting for existence on a windy knoll is much more beautiful.

In my Wisconsin, the leaves change before the snows come. In the air there is the smell of wild rice and venison cooking; and when the winds come whispering through the forests, they carry the smell of rotting leaves. In the evenings, the loon calls, lonely; and birds sing their last songs before leaving. Bears dig roots and eat late fall berries, fattening for their long winter sleep. Later, when the first snows fall, one awakens in the morning to find the world white and beautiful and clean. Then one can look back over his trail and see the tracks following. In the woods there are tracks of deer and snowshoe rabbits, and long streaks where partridges slide to alight. Chipmunks made tiny footprints on the limbs and one can hear squirrels busy in hollow trees, sorting acorns. Soft lake waves wash the shores, and sunsets burst each evening over the lakes, and make them look as if they were afire.
That land which is my home! Beautiful, calm – where there is no hurry to get anywhere, no driving to keep up in a race that knows no ending and no goal. No classes where men talk and talk and then stop now and then to hear their own words come back to them from the students. No constant peering into the maelstrom of one’s mind; no worries about grades and honors; no hysterical preparing for life until that life is half over; no anxiety about one’s place in the thing they call Society.
I hear again the ring of axes in deep woods, the crunch of snow beneath my feet. I feel again the smooth velvet of ghost-birch bark. I hear the rhythm of the drums…. I am tired. I am weary of trying to keep up this bluff of being civilized. Being civilized means trying to do everything you don’t want to, never doing anything you want to. It means dancing to the strings of custom and tradition; it means living in houses and never knowing or caring who is next door. These civilized white men want us to be like them – always dissatisfied – getting a hill and wanting a mountain.
Then again, maybe I am not tired. Maybe I’m licked. Maybe I am just not smart enough to grasp these things that go to make up civilization. Maybe I am just too lazy to think hard enough to keep up.
Still, I know my people have many things that civilization has taken from the whites. They know how to give; how to tear one’s piece of meat in two and share it with one’s brother. They know how to sing – how to make each man his own songs and sing them; for their music they do not have to listen to other men singing over a radio. They know how to make things with their hands, how to shape beads into design and make a thing of beauty from a piece of birch bark.
Bt we are inferior. It is terrible to have to feel inferior; to have to read reports of intelligence tests, and learn that one’s race is behind. It is terrible to sit in classes and hear men tell you that your people worship sticks of wood – that your gods are all false, that the Manitou forgot your people and did not write them in a book.
I am tired. I want to walk again among the ghost-birches. I want to see the leaves turn in autumn, the smoke rise from the lodgehouses, and to feel the blue winds. I want to hear the drums; I want to hear the drums and feel the blue whispering winds.
There is a train wailing into the night. The trains go across the mountains. It would be easy to catch a freight. They will say he has gone back to the blanket; I don’t care. The dance at Christmas….
A bunch of bums warming at a tiny fire talk politics and women and joke about the Relief and the WPA and smoke cigarettes. These men in caps and overcoats and dirty overalls living on the outskirts of civilization. They are outcasts. I remember a sociology professor lecturing on adjustment to society; hobos and prostitutes and criminals are individuals who never adjusted, he said. He would learn that work and a woman and a place to hang his hat are all the ordinary man wants. These are all he wants, but other men are not content to let him want only these. He must be taught to want radios and automobiles and a new suit every spring. Progress would stop if he did not want these things. I listen to hear if there is any talk of communism or socialism in the hobo jungles. There is none. At best there is a sort of disgusted philosophy about life. They seem to think there should be a better distribution of wealth, or more work, or something. But they are not rabid about it. The radicals live in the cities.
I find a fellow headed for Albuquerque, and talk road-talk with him. “It is hard to ride fruit cars. Bums break in. Better to wait for a cattle car going back to the Middle West, and ride that.” We catch the next east-bound and walk the tops until we find a cattle car. Inside, we crouch near the forward wall, huddle, and try to sleep. I feel peaceful and content at last. I am going home. The cattle car rocks. I sleep.
Morning and the desert. Noon and the Salton Sea, lying more lifeless than a mirage under a somber sun in a pale sky. Skeleton mountains rearing on the skyline, thrusting out of the desert floor, all rock and shadow and edges. Desert. Good country for an Indian reservation….
Yuma and the muddy Colorado. Night again, and I wait shivering for the dawn.
Phoenix. Pima country. Mountains that look like cardboard sets on a forgotten stage. Tucson. Papago country. Giant cacti that look like petrified hitchhikers along the highways. Apache country. At El Paso my road-buddy decides to go on to Houston. I leave him, and head north to the mesa country. Las Cruces and the terrible Organ Mountains, jagged peaks that instill fear and wondering. Albuquerque. Pueblos along the Rio Grande. On the boardwalk there are some Indian women in colored sashes selling bits of pottery. The stone age offering its art to the twentieth century. They hold up a piece and fix the tourist with black eyes until, embarrassed, he buys or turns away. I feel suddenly angry that my people should have to do such things for a living….
Santa Fe trains are fast, and they keep them pretty clean of bums. I decide to hurry and ride passenger coaltenders. Hide in the dark, judge the speed of the train as it leaves, and then dash out, and catch it. I hug the cold steel wall of the tender and think of the roaring fire in the engine ahead, and of the passengers back in the dining car reading their papers over hot coffee. Beneath me there is a blur of rails. Death would come quick if my hands should freeze and I fall. Up over the Sangre De Cristo range, around cliffs and through canyons to Denver. Bitter cold here, and I must watch out for Denver Bob. He is a railroad bull who has thrown bums from fast freights. I miss him. It is too cold, I suppose. On north to the Sioux country.
Small towns lit for the coming Christmas. On the streets of one I see a beam-shouldered young farmer gazing into a window filled with shinning silver toasters. He is tall and wears a blue shirt buttoned, with no tie. His young wife by his side looks at him hopefully. He wants decorations for his place to hang his hat to please his woman….
Northward again. Minnesota, and great whilte fields of snow; frozen lakes, and dawn running into dusk without noon. Long forests wearing white. Bitter cold, and one night of northern lights. I am nearing home.
I reach Woodruff at midnight. Suddenly I am afraid, now that I am but twenty miles from home. Afraid of what my father will say, afraid of being looked on as a stranger by my own people. I sit by a fire and think about myself and all other young Indians. We just don’t seem to fit in anywhere – certainly not among the whites, and not among the older people. I think again about the learned sociology professor and his professing. So many things seem to be clear now that I am away from school and do not have to worry about some man’s opinion of my ideas. It is easy to think while looking at dancing flames.
Morning. I spend the day cleaning up, and buying some presents for my family with what is left of my money. Nothing much, but a gift is a gift, if a man buys it with his last quarter. I wait until evening, then start up the track toward home.
Christmas Eve comes in on a north wind. Snow clouds hang over the pines, and the night comes early. Walking along the railroad bed, I feel the calm peace of snowbound forests on either side of me. I take my time; I am back in a world where time does not mean so much now. I am alone; alone but not nearly so lonely as I was back on the campus at school. Those are never lonely who love the snow and the pines; never lonely when the pines are wearing white shawls and snow crunches coldly underfoot. In the woods I know there are tracks of deer and rabbit; I know that if I leave the rails and go into the woods I shall find them. I walk along feeling glad because my legs are light and my feet seem to know that they are home. A deer comes out of the woods ahead of me, and stands silhouetted on the rails. The North, I feel, has welcomed me home. I watch him and am glad that I do not wish for a gun. He goes into the woods quietly, leaving only the design of his tracks in the snow. I walk on. Now and then I pass a field, white under the night sky, with houses at the far end. Smoke comes from the chimneys of the houses, and I try to tell what sort of wood each is burning by the smoke; some burn pine, others aspen, others tamarack. There is one from which comes black coal smoke that rises lazily and drifts out over the tops of the trees. I like to watch houses and try to imagine what might be happening in them.
Just as a light snow begins to fall I cross the reservation boundary; somehow it seems as though I have stepped into another world. Deep woods in a white-and-black winter night. A faint trail leading to the village.
The railroad on which I stand comes from a city sprawled by a lake – a city with a million people who walk around without seeing one another; a city sucking the life from all the country around; a city with stores and police and intellectuals and criminals and movies and apartment houses; a city with its politics and libraries and zoos.
Laughing, I go into the woods. As I cross a frozen lake I begin to hear the drums. Soft in the night the drums beat. It is like the pulse beat of the world. The white line of the lake ends at a black forest, and above the trees the blue winds are dancing.
I come to the outlying houses of the village. Simple box houses, etched black in the night. From one or two windows soft lamplight falls on the snow. Christmas here, too, but it does not mean much; not much in the way of parties and presents. Joe Sky will get drunk. Alex Bobidash will buy his children red mittens and a new sled. Alex is a Carlisle man, and tries to keep his home up to the white standards. White standards. Funny that my people should be ever falling farther behind. The more they try to imitate whites the more tragic the results. Yet they want us to be imitation white men. About all we imitate well are their vices.
The village is not a sight to instill price, yet I am not ashamed; one can never be ashamed of his own people when he knows they have dreams as beautiful as white snow on a tall pine.
Father and my brother and sister are seated around the table as I walk in. Father stares at me for a moment, then I am in his arms, crying on his shoulder. I give them the presents I have brought, and my throat tightens as I watch my sister save carefully bits of red string from the packages. I hide my feelings by wrestling with my brother when he strikes my shoulder in token of affection. Father looks at me, and I know he has many questions, but he seems to know why I have come. He tells me to go alone to the lodge, and he will follow.
I walk along the trail to the lodge, watching the northern lights forming in the heavens. White waving ribbons that seem to pulsate with the rhythm of the drums. Clean snow creaks beneath my feet, and a soft wind sighs through the trees, singing to me. Everything seems to say, “Be happy! You are home now – you are free. You are among friends – we are your friends; we, the trees, and the snow, and the lights.” I follow the trail to the lodge. My feet are light, my heart seems to sing to the music, and I hold my head high. Across white snow fields blue winds are dancing.
Before the lodge door I stop, afraid, I wonder if my people will remember me. I wonder – “Am I Indian, or am I white?” I stand before the door a long time. I hear the ice groan on the lake, and remember the story of the old woman who is under the ice, trying to get out, so she can punish some runaway lovers. I think to myself, “If I am white I will not believe that story; If I am Indian, I will know that there is an old woman under the ice.” I listen for a while, and I know that there is an old woman under the ice. I look again at the lights, and go in.
Inside the lodge there are many Indians. Some sit on benches around the walls, others dance in the center of the floor around a drum. Nobody seems to notice me. It seems as though I were among a people I have never seen before. Heavy women with long hair. Women with children on their knees – small children that watch with intent black eyes the movement of the dancers, whose small faces are solemn and serene. The faces of the old people are serene, too, and their eyes are merry and bright. I look at the old men. Straight, dressed in dark trousers and beaded velvet vests, wearing soft moccasins. Dark, lined faces intent on the music. I wonder if I am at all like them. They dance on, lifting their feet to the rhythm of the drums swaying lightly, looking upward. I look at their eyes, and am startled at the rapt attention to the rhythm of the music.
The dance stops. The men walk back to the walls, and talk in low tones or with their hands. There is little conversation, yet everyone seems to be sharing some secret. A woman looks at a small boy wandering by, and he comes back to her.
Strange, I think and then remember. These people are not sharing words – they are sharing a mood. Everyone is happy. I am so used to white people that it seems strange so many people could be together without someone talking. These Indians are happy because they are together, and because the night is beautiful outside, and the music is beautiful. I try hard to forget school and white people, and be one of these – my people. I am trying to forget everything but the night, and it is a part of me that I am one with my people and we are all a part of something universal. I watch eyes, and see now that the old people are speaking to me. They not slightly, imperceptibly, and their eyes laugh into mine. I look around the room. All the eyes are friendly; they all laugh. No one questions my being there. The drums being to beat again, and I catch the invitation in the eyes of the old men. My feet begin to lift to the rhythm, and I look out beyond the walls into the night and see the lights. I am happy. It is beautiful. I am home.

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