Modernism in 20th Century Ballet and Writing
This paper needs to primarily focus on the Ballets Russes influence on 20th century art. Specifically, how Michael Fokine’s liberating aesthetic in his ballet, Le Spectre de la Rose (1911), influenced other mediums to break boundaries of structure in their work; specifically, Gertrude Stein’s use of cubism in her book Picasso.
Please first analyze the choreography of Le Spectre de La Rose and how the choreography held dimensions of classical romantic ballet but also freed the bodies and therefore broke the academic structure of romantic ballet.
Then analyze Gertrude Stein’s Picasso and how her incomprehensible, indirect, non linear thinking breaks boundaries of structure through cubism.
Conclude with how each of these works represent the heart of European modernist art.
The early 20th century and the construction of the Ballets Russes brought an avant-garde movement that revolutionized not only ballet, but various mediums of European art. The liberating atheistic of choreographer Michel Fokine pioneered a movement of modernism with the premier of his ballet Le Spectre de la Rose in 1911. The innovative dimensions in this ballet heroically challenged the minds of the audience through Fokine’s freeing choreography sparked a trend of ground breaking art. Popular writer of the time, Gertrude Stein, was of the first to challenge writing in this modern form. Her book, Picasso, successfully broke boundaries of linearity through the use of cubism and serpentine narrative. While Fokine reinvented romantic ballet, Stein disrupted linearity in writing. Both artists heroically reinvented structure through the creation of their works and therefore successfully established their place in modernism.
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