Our first set of readings—Langston Hughes’s “Harlem” (1951), Gwendolyn Brooks’s “kitchenette building” (1945), and Ralph Ellison’s “Harlem is Nowhere” (1948)—addresses the various effects and consequences of deferred dreams as well […]
Our first set of readings—Langston Hughes’s “Harlem” (1951), Gwendolyn Brooks’s “kitchenette building” (1945), and Ralph Ellison’s “Harlem is Nowhere” (1948)—addresses the various effects and consequences of deferred dreams as well […]