Hallelujah Chorus and "Rejoice Greatly
Describe and compare our excerpts (both the Hallelujah Chorus and "Rejoice Greatly, O Daughter of Zion") from G. F. Handel's Messiah and J. S. Bach's Cantata No. 140 Wachet Auf. Topics could include the historical or social context of each composition and the composers' background. You may also address the use of musical elements such as sound, instrumentation, melody, rhythm/meter, harmony/tonality, and form. Note similarities as well as differences. Your submission should be in the range of 150–250 words. Refer to the Listening Journal Rubric for more information.
Sample Solution
G. F. Handel's Messiah and J. S. Bach's Cantata No. 140 Wachet Auf are two of the most celebrated compositions in classical music, each having a distinct historical and social context as well as compositional style that reflects their respective composers' backgrounds.
Handel, who was born into a family of musicians in Germany, composed his oratorio The Messiah over three decades after being invited to London by King George I; the work is regarded as one of the greatest musical pieces from that era and beyond due to its use of choruses that bring attention to spiritual topics such as salvation and resurrection through joyful music - exemplified by our excerpted Hallelujah Chorus which is characterised by full orchestrations with bright harmonies, powerful vocal lines, and celebratory interjections creating an uplifting atmosphere with strong emphasis on faith-based themes.
Meanwhile, Johann Sebastian Bach composed his cantata Wachet Auf during his time in Leipzig which was under Lutheran rule at the time; this religious influence can be heard within our chosen excerpted passage “Rejoice Greatly O Daughter Of Zion” through its driving meter featured prominently throughout with syncopation pushed further forward by instruments such as violins for added energy giving it an almost parading impression reminiscent of sacred processions seen around Germanic areas during Easter celebrations at those times - combining this spirit with more traditional Baroque techniques like melodic lines playing against chords for colourful harmonic progressions providing a vivid soundscape depicting joyous celebration often associated with festive occasions where people gather together in harmony regardless of religious affiliations but rather celebrating life itself .
Despite coming from different eras (Handel’s being 18th century Great Britain while Bach’s belonging to 17th century Germany) both works demonstrate how art transcends cultural barriers yet still holds true to its roots through subtle nuances unique only to those realms they were created in - making them timeless monuments celebrating human achievements even today when we listen or perform either masterpiece side-by-side