According to Laura Mulvey, there are two ways in which “patriarchal” cinema deals with the threat of castration posed by the image of woman. Describe these two coping strategies and refer to examples from Hitchcock’s Vertigo.
According to Laura Mulvey, there are two ways in which “patriarchal” cinema deals with the threat of castration posed by the image of woman. Describe these two coping strategies and refer to examples from Hitchcock’s Vertigo.
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