International Music Events As A Political Statement.

Order Description 1. The Goalmouth Project in Malawi 2. Live Aid 1985 3. How does the United Nation use music? provide Primary Sources and descriptive literature review of the case studies that study the same phenomena of promoting peace through musical events/concerts. Please explain the Methodology use and provide the evidence. Chapter 1 An introduction to music and politics This chapter should discuss the contribution of music to peace building and how music is able to embody and deliver the message of a particular political cultural context. How does the United Nation use music? investigate how organisations such as the United Nations used music to promote peace. CHAPTER 2 Music and Ethics write a music FOCUS Case study on The Goalmouth Project in Malawi: http://www.goal-mouth.org/home explore intercultural practices through musical diversity and discuss some important ethical layers that can have an impact on our moral perception of musical events as a whole. write about Musical meaning and cultural practice, (Use quotes and reading from this book as well as others - Burnard, P.A., Ross, V., Dragovic, T., Minors, H., Powell, K. and Mackinlay, L., 2017. Building interdisciplinary and intercultural bridges: Where practice meets research and theory. Cambridge: BIBACC). Explain how music is able to embody and deliver the message of a particular political and cultural context to raise awareness for WORLD PEACE. For example, music means by an account of emergent meaning of the spectator, how it is interpreted in the moment of these pop songs: John Lennon's "Give Peace a Chance" AND Michael Jackson Earth song CHAPTER 3 1. How to be an inclusive musician and not take sides while promoting the political agenda of world peace. write a case study about LIVE AID 1985 and include the following: 1. Identify the social model strategy used on this successful musical event that promotes peace and inclusion within a global community. What processes during the event’s marketing and creation, through its content can facilitate a sharing of ideas? 2. How organisers of such events planned the musical and artistic content of the live event? Please explain how these are marketed and disseminated in both live and mediatized channels. Critically evaluate and discuss the effectiveness of the process leading up to a musical event promoting peace. How can a musical event, such as Live Aid promote a specific political agenda, such as the need for a peaceful approach to feeding children in Africa? The events I explore will question how music is used on an international platform, in relation to the UN’s strategy, in order to illustrate how music can mean something positive beyond borders. What processes during the event’s marketing and creation, through its content can facilitate a sharing of ideas?