Wollen’s cardinal “sins”/”virtues”

Posted on by Leakey

Many critics like Peter Wollen have noted the influence of exiled German playwright Bertolt Brecht (and Brechtian aesthetics) on Jean-Luc Godard. How and where does Jean-Luc Godard’s Weekend adopt a Brechtian aesthetic? Discuss (at least) four of Wollen’s cardinal “sins”/”virtues” when answering the question and give examples from Weekend.

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