1. How do a recording’s musical arrangements, title, graphics, and accompanying
notes represent the relationship between Western lead musicians and
participating traditional musicians?
2. Is music on the recording attributed to an author, composer, or arranger? Who
holds the copyright? What do attributions and credits suggest about rights to, and
ownership of, the music?
3. Are the musical and personal relationships negotiated through the production of
the album compatible with beliefs about rights to, and ownership of, music in the
imported tradition represented on the recording?