How do Stieglitz and Weston imagine the artistic possibilities of photography? What aspects of their writing does Szarkowski borrow in his approach to the medium? How does Szarkowski's "issue" inherent to photography hold up today (300-400 words)
How do Stieglitz and Weston imagine the artistic possibilities of photography? What aspects of their writing does Szarkowski borrow in his approach to the medium? How does Szarkowski's "issue" inherent to photography hold up today (300-400 words)
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