Description
address the following questions: Exactly why did the planned Enola Gay exhibit stir up so much controversy,
and who, generally speaking, was leading the effort to quash it? According to the book’s various authors, how
did the nation’s recent history (including the Vietnam War) and the ongoing “culture wars” figure into the
controversy? Finally, do you feel exhibit planners should have stood their ground? Do any of the authors agree
with you?
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