Songwriting History and Critics final paper

Songwriting History and Critics final paper

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Assignment: Using the guidelines employed to select the 14 songs studied in this course, (?Hound Dog?
?Will You Love Me Tomorrow?? (Goffin-King)
?Please Please Me? (Lennon-McCartney), Recorded by The Beatles (1963)
?Where Did Our Love Go?? (Holland/Dozier/Holland); recorded by The Supreme
?(I Can?t Get No) Satisfaction? (Jagger-Richards); recorded by The Rolling Stones
?Papa?s Got A Brand New Bag? (Brown); recorded by James Brown (1965)
7: ?Like A Rolling Stone? (Dylan); recorded by Bob Dylan (1965)
?Good Vibrations? (Love/Wilson); recorded by The Beach Boys (1966)
?Respect? (Redding); recorded by Aretha Franklin (1967)
?Purple Haze? (Hendrix); recorded by the Jimi Hendrix Experience (1967)
: ?A Case Of You? (Mitchell); recorded by Joni Mitchell (1971)
?Living For the City? (Wonder); recorded by Stevie Wonder (1973)
?Le Freak? (Edwards-Rodgers); recorded by Chic (1978)
?I Wanna Be Sedated? (Ramone); recorded by The Ramones (1977)
propose, explain, and defend your choice for a 15th song. Be sure to provide the
context of your song?s creation and impact and its ?conditions of possibility.?
Make comparison to other songs on the list. Submit a recording or recordings of
your selection and any relevant historical or cultural material.

To be selected for study in the course, a song/recording must meet the following criteria:
1- it is a profoundly influential work, whose influence can be demonstrated through its presence
in the literature and via careful examination of subsequent works of significant impact;
2- the work is considered artistically and culturally groundbreaking;
3- the work represented/reflected or contributed to a cultural and/or historical development or
movement of note.

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