Being a good listener is important no matter what path in life you take. One of the best ways to “study” music is by repeated listening. You probably have a favorite book, movie, or song you like to listen to over and over again. When you repeat that activity you are able to pick up on something you might have missed the first time. It is through repeated encounters that we gain familiarity and appreciation.
How to listen
1st time: Actively listen to the piece. Be Still and Be Quiet, No distractions!
2nd time: Listen and follow along with the provided listening guide from the module.
Next: Think about questions in your journal entry from what you have just heard
3rd time: Listen and fill out the entry form below while listening and reflecting.
Rules and Requirements for Journal
1. You will need to fill out 4 separate journal entries from the list below. (Blank Journal Entry Form)
Focus Compositions of the Renaissance 4 must be from the Focus compositions or listening guides in this module.
“Tu Se Morta” (“You are dead”) from Orfeo, by Claudio Monteverdi
Sonata pian e forte for 8 parts, C. 176 from Sacrae Symphoniae, by Giovanni Gabrielli
The first movement of Spring from The Four Seasons, by Antonio Vivaldi
“Hallelujah” from Messiah, by George Frideric Handel
Alla Hornpipe, Bourée, or Minuet from Water Music, by George Frideric Handel
Organ Fugue in G Minor (BWR 578), by Johann Sebastian Bach
B. Journal Entry: In each Journal entry fill out the following information
Composer:
Composition:
Time Period:
Genre:
Purpose of the piece or what is the piece about:
Reflection: See directions “C” below on how to answer each prompt.
C. Answer at least 3 of the reflection prompts. Back up your reflection using musical terms and musical examples (what are the melody, voices doing). Points will be taken off if you just answer the question in a bullet point without explaining or giving music examples of what led you to your answer. Each prompt should be at least 3 sentences.
What is the main message or mood of this music, based on your listening experience?
Which music aspects work together to provide the message you heard?
What changes seem to happen as the music moves forward? In these changes, what things do you notice about the message of the music?
Do any of the changing music elements add to the emotion you feel in this music or the message, mood, idea, or storyline?
Does the music remind you of anything? Back up with musical examples
2. Click Terms to use Download Terms to usefor more examples of using terms when reflecting on the music. Also see Modules 1-3 for more terms to use when reflecting on the music.
3. You will have up to 2 attempts and can resubmit. See rubric for grading.
Example: Use for each Journal entry
Composer: Haydn
Composition: String Quartet in D major, Op. 20, no. 4 (I: Allegro di molto)
Time Period: Classical
Genre: string quartet